The E shape from
Cranbourne is a light green; I like the challenge of having the lighter colours
making the exterior shape and having to work with the heavier middle colours –
it forces a different kind of space. I am building up the ‘pavement’ areas
remembering the idea of the sloping camber on the grey slate slabs around the
square. I want to get that idea of shifting uneven space; the dark red arm in
the centre reaches in to accentuate this. Now the yellow, fluorescent yellow,
is applied below the shadow of the plate. This creates a strong tonal contrast
here – the shadow a deep blue-red almost black-like, and this strong contrast
emphasis the main form. I am thinking again about the centre of the plate –
there is so much opportunity for more compositional elements here; it is good
to be thinking of painters like Juan Gris and how they described form in such
an original way. Some elements will be left out, I don't want to have all the
answers in the painting; what is not there is part of the end experience. There
is much sharpening of the colour areas to do. Where one area meets another is
crucially important to the authenticity of the painting. The next post will be
the final stage. Before this the painting will go to Llawn 02 to find the
pewter plate.
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